Wednesday, December 1, 2010

December at the IFI

The December programme at the IFI is full of compelling reasons to postpone your Christmas shopping (unless it’s at the IFI Film Shop!) and come to the cinema instead.

December sees the release of some of the big prize winners from the Cannes and Venice Film Festivals – Of Gods and Men, On Tour and Somewhere – and the much-anticipated Catfish, a ‘reality thriller’ exposing the darker side of social networking.

Of Gods and Men (Opens Dec 3rd)

In a year that has seen the IFI showing more Irish film than ever before, it is appropriate that we end 2010 with the release of The Pipe, which comes to the IFI in December on the back of critically-acclaimed screenings at Galway, Toronto and London. This compelling and thoughtful film documents the impact of the controversial Corrib Gas Project on the local Rossport community, and the issue itself will no doubt invoke impassioned responses from both sides of the debate. We are delighted that we will be joined by the filmmakers and members of the Rossport Community for a special Gala Screening on December 2nd. Also scheduled is a separate panel discussion on December 4th which will debate the Corrib Gas Project, chaired by Irish Times journalist Lorna Siggins, and will involve contributions from both sides of the issue. One of the themes that The Pipe raises is the role that filmmaking plays in political campaigns and the film’s producer Rachel Lysaght will take part in a discussion on December 11th about the complex relationship between art and politics.

The Pipe (Gala Preview Dec 2nd, Opens Dec 3rd)

Amongst all this controversy (not to mention the Budget!) we haven’t forgotten it is Christmas and there are plenty of great films for family outings over the season, from a Christmas-themed Archive at Lunchtime programme showing every day during Christmas week to The Red Shoes and It’s a Wonderful Life. We have two special IFI Family events on December 29th and 30th to help keep our younger audiences occupied in the post-Christmas lull: The Lion, the Witch and the Wardrobe and The March of the Penguins (the latter is followed by two special animation workshops).

IFI Family: The Chronicles of Narnia, Dec 29th

As we come to the end of what has been a bumpy year for Ireland, we wanted to take this opportunity to thank all of you for making 2010 a great year for the IFI. We started on a real high with the Open Day in February to launch the refurbished building and new Cinema 3, and continued with a packed programme of great cinema, new and old, including Fritz Lang’s Metropolis, and seasons on Woody Allen, Kenneth Anger, Audiard, Ozu, Hitchcock and new African cinema. Both our audiences and membership have grown significantly during the year, and your loyalty and shared passion for all that cinema has to offer ensures that we continue to be one of Ireland’s busiest and most relevant cultural organisations.

So on behalf of everyone at the IFI: thank you. We look forward to bringing you an exciting programme in 2011 and we wish you all a happy and peaceful Christmas and New Year.

Sarah Glennie
Director

Tuesday, November 30, 2010

The Pipe comes home for General Release

The last 6 months have been like a rollercoaster for The Pipe ever since it premiered at the Galway Film Fleadh back in July. Indeed, after 3 years of shooting and a year in the edit, I had no idea what the reaction would be from people, especially the locals, given that they had no idea what was in the film. That night of Thursday the 8th of July in Galway was a really nervewracking experience as people began to arrive, a large section of them from Rossport and the surrounding villages close to the Corrib project. Having filmed these people during their daily lives, at the protests and during some very difficult and painful times over the past 3 years, I had no idea how the community would react to seeing their souls bared on the big screen.

The reaction was really incredible, especially from people whose lives had been so intensely affected by the Corrib project, and all the emotions of the past 10 years seemed to flood back in those 83 minutes in the Town Hall Theatre; the joy, the humour, the pain of the jailings and the heartache of seeing their own community ripped apart by infighting. And although parts of the film were difficult for many of the people to watch, they seemed to really appreciate seeing their story told for the first time without being manipulated or spun.

Risteard Ó Domhnaill (Director) & Lelia Doolin at the premiere
in the Town Hall Theatre at the Galway Film Fleadh

Winning Best Doc at the Galway Film Fleadh then acted as a springboard internationally. Although Galway is a relatively small festival, it has a great profile abroad and success here was crucial in getting recognition by the Toronto Film Festival, one of the two big North American festivals. Selection for Toronto was a massive achievement but it did bring its own worries, as we were now competing against the best documentaries in the world. However, instead of getting lost among the 300 or so films there, we managed to carve out a really good profile for ourselves. We got fantastic coverage in the Toronto papers and amazingly got 7 minutes on Canada’s prime time news features show on CBC. The reason for so much attention before the screening was timing; it was directly in the wake of the devastating Gulf Oil spill and peoples' minds were very focused on the oil industry and its relationship with the environment and small communities. Also, in Canada there is a very divisive national debate going on regarding the extraction of massive amounts of oil from Canadian tar sands, despite huge environmental impacts.

Risteard Ó Domhnaill (Director), Rachel Lysaght (Producer),
Áine Ní Dhúil and Nigel O'Regan (Editor) at Toronto International Film Festival 

Having sold out all of our screenings beforehand, I was a bundle of nerves going into our first screening as I had no idea if the Canadians would actually ‘get’ the story. Remember, here was a small community in one of the most isolated corners of Ireland with a very particular story, sense of humour. and a very unique way with words (at times more like Irish in terms of sentence construction). Remarkably, the Canadians, traditionally a fairly conservative audience, reacted very emotionally to the film and gave us a standing ovation! That was the point for me when I knew that this story would travel, and I was delighted that the audience could empathise with the people on screen. People saw in the characters their own neighbours, friends and relations, and felt that this could be a  community anywhere - Canada, Nigeria, Russia – any community whose rights have been set aside by their own government in favour of a very powerful private interest – in this case it just happens to be Shell. Off the back of Toronto we got a lot of interest from ordinary people and distributors, and from there on we were ‘out the gap’.


We screened in the London and Amsterdam film festivals with great success, just narrowly missing out on the top prize in the prestigious ‘Green Screen’ competition to Into Eternity by Michael Madsen, but the judges felt The Pipe deserved an ‘honorable mention’ none the less. We screened at the Cork Film Festival to a sell-out crowd of 250 at the Gate cinema who then offered us a 2 week cinema run on the back of the success of that screening on a cold, wet Monday night. The Cork audience was probably the most vocal audience I have ever experienced - laughing out loud, expressing their shock at the treatment of some of the characters in the film, and taking me on in a very frank and challenging debate in the Q&A afterwards. Only last week we screened at the Foyle Film Festival in Derry and picked up the award for Best Documentary, and I was amazed at the depth of knowledge people had up in Derry regarding the politics and history surrounding Corrib!

Now that we are on the verge of a national cinema release, I just find it hard to believe that the story of this small isolated community is now going up against the big Hollywood blockbusters like Narnia and Harry Potter in cinemas around the country. However, I think it is crucial that the film is released at this time, despite it being the most competitive time of the year in cinemas. We are now in the middle of possibly the worst crisis to hit this country since the foundation of the State, our politicians having put powerful private interests ahead of the greater good of the citizens with devastating consequences, and I feel that the Corrib story is a microcosm of that larger picture.  Hopefully The Pipe will in some way give people an insight into this, but also show them that even in times of great despair and seemingly insurmountable challenges, people can find amazing resources within themselves, and within their communities, to get through the hard times, and even share a joke every now and then!

Risteard Ó Domhnaill
Director
The Pipe

  • The Pipe goes on release from Friday December 3rd.
Special Events:
  • There will be a Gala Opening at the IFI on December 2nd at 18.00 with a Q&A with Risteard and members of the Rossport community.
  • On December 4th at 13.30 there will be a panel discussion entitled The Pipe: Rossport and the Corrib Gas Project chaired by journalist Lorna Siggins about the project and its impact on the community. Free but ticketed event.
  • On December 11th at 13.30 The Pipe: Politics and Film will look at the role art and filmmaking can play within a political campaign. Free but ticketed event.
The Pipe is produced by Scannáin Inbhear with funding from Bord Scannán na hEireann / the Irish Film Board and TG4.

Friday, November 26, 2010

In the Beginning (A l'origine) review

A film about building a road to nowhere could just as easily be called The Road to Hell. The French drama In the Beginning (A l'origine), which played last night to a packed cinema as part of the IFI French Film Festival, was truly an exercise in how to take a small story and turn it into a highly watchable thriller,as well as a study of the human need to grasp glimmers of hope in desperate times.

Directed by Xavier Giannoli (The Singer) it tells the story of Philippe/Paul, a conman who travels up and down France scamming equipment from construction sites for re-sale. Small time stuff, really, 'til he gets caught up in a town where highway construction had ceased two years previously because of a beetle infestation. Assuming the name Philippe Miller, he claims to be the project manager for a contractor and sets about restarting the building. The town’s mayor (Emanuelle Devos, luminous and credulous) who tells him that ‘the boss left for India with our subsidies and machines, and we were left with the unemployed’, willingly falls in, desperate to get things moving again.


At the local cheap hotel, chambermaid Monika is a single mum whose feckless boyfriend, Nicolas, needs a job to ‘calm him down’. She is drawn to Philippe and multi-tasks her way around his new project office where she fends off creditors and accepts his promise that wages will come through. Of course it all goes horribly wrong, but not before Philippe totally falls for both the Mayor and his own trick; we see him rally the construction troops through torrential mud and rain, convince a small bank manager that he is for real (don’t think I was the only one wondering why he didn’t just go to Anglo Irish Bank!) and take an interest in Nicolas.

But Philippe’s past catches up with him, in the gargantuan shape of sleazy con, Abel, played by Gerard Depardieu. We know it’s not going to end well as soon as he hoists his leather-jacketed frame into view. Philippe’s mental stability, his newly found love and all about him tumbles into the slithering mud of the motorway.

A terrific film for the Festival that will hopefully get a cinema release.

3 more days of the Festival to go.

Alicia McGivern
Head of Education

In the Beginning (A l'origine) goes on tour with access>CINEMA to Waterford, Galway and Wicklow.

The Final Weekend of the IFI French Film Festival

We're about to head into the final weekend of the IFI French Film Festival and after record audiences this year, we're expecting to go out with bang!

Tonight we welcome our next Festival guest, Michel Leclerc, director of The Names of Love (Le Nom des gens) who will introduce the film and participate in a post-screening Q&A. The film is now fully sold out.

The Silent World

Another Festival guest in over the weekend is Éamon de Buitleár who will introduce both films in our focus on Jacques-Yves Cousteau. Digitally restored prints offer us a welcome opportunity to rediscover the work of the ethusiastic explorer, researcher, author and filmmaker (winner of three Oscars and the Palme d'Or) as we present two of Cousteau's films: The Silent World (Le Monde du silence) and The World Without Sun (Le Monde sans soleil) on Saturday and Sunday at 13.00 and 13.30 respectively. Éamon de Buitleár  will introduce both screenings. Éamon is an independent filmmaker, author and has been involved in natural history and wildlife programmes for many years.

Other highlights over the Closing Weekend include your second chance to catch Copacabana (after the first screening sold out) starring Isabelle Huppert and her real-life daughter Lolita Chammah in a very enjoyable comedy (Saturday 27th, 21.00). The legendary Jean-Luc Godard is saying that Socialism / Film Socialisme (Saturday 27th, 17.00) is his last film (we're not sure we believe him!) but come along just in case!


Babies (Bebes) follows four newborns in Japan, Mongolia, Namibia and the US over the course of their first year and was a surprise hit in the States when it went on release. It's beautifully shot and often hilarious, and a perfect Sunday evening film (Nov 28th, 18.30).


Money

If you enjoyed Metropolis back in September, you now have another chance to see it's star (Brigitte Helm) in action in Marcel L'Herbier's classic 1928 film Money (L'Argent), a visually spectacular film based on Emile Zola's 1891 novel about the allure and destructive power of money. A fitting film to watch after all the deliberations about our Four Year Plan!

We hope you enjoy the last few days of the Festival.

Ross Keane
Head of Marketing & Communications

Tuesday, November 23, 2010

The Remaining 5 Days of the IFI French Film Festival...

After record numbers attended screenings at the IFI French Film Festival over the first 5 days, there are now just 5 more days remaining as we hit the halfway mark...

After Gerard Depardieu's new film Mammuth sold out on Saturday, tonight's screening is also now fully booked, and we just have a small number of tickets left for this Thursday's screening. Book in advance to avoid disappointment!

Other highlights over the coming days include two of Wednesday night's offerings, Copacabana and Mademoiselle Chambon. Copacabana stars real-life mother-daugher Isabelle Huppert and Lolita Chammah in Marc Fitoussi's enjoyable comedy about a conservative daughter so embarrased by her baba-cool mother that she will not invite her to her wedding, prompting Huppert to make changes to her lifestyle. Huppert attacks her part with relish, while her daughter Chammah (also starring in Memory Lane this evening, Tuesday) shows how she too is an actress of great talent. We had hoped that Lolita would be able to join us at both her film screenings, but due to circumstances beyond our control, she is no longer able to make it to Dublin on this occasion.

Copacabana

Mademoiselle Chambon is a beautiful film telling the tale of a family man who falls for his son's school teacher. It's a film of gesture and expression, of extreme subtlety and understated eroticism, made wholly credible by the two superb performances at its heart.

 Mademoiselle Chambon

Another highlight for the latter part of the Festival is In the Beginning (A l'origine) which was shown to great accalim at Cannes in 2009.  Starring Francois Cluzet and Emmanuelle Devos, the film is based on a true story about a small-time conman and a case of  mistaken identity, and has a timely element of social critique.


In the Beginning

For those of you who were unable to get into our sold-out Opening Film, The Names of Love (Le Nom des gens), it returns this Friday for a second and final screening at 18.30. Director Michel Leclerc will be our next Festival guest and will introduce the film and then participate in a post-screening Q&A.

And don't forget, if you want to book a table in the IFI Café Bar to avail of our special French Festival menus, you can do so by calling 01 679 8712.

We hope you enjoy the final 5 days of the Festival.

Ross Keane
Head of Marketing & Communications




Monday, November 22, 2010

IFI French Film Festival 2010 - First Weekend A Great Success

The first weekend of the festival saw some fantastic films and some brilliant special guest appearances. Michel Ciment arrived from Paris on Friday in time to do an interview with Sean Rocks on RTE 1's Arena programme. You can listen in here. Michel was around to talk after his documentary Michel Ciment: The Art of Sharing Movies and to greet his friend John Boorman who came in on Sunday for a documentary about his life and work.

Laurent Marie talks to Michel Ciment at the IFI
There is still time to get along to two festival highlights taking place tonight. Restless will be followed by a wine and cheese reception courtesy of our sponsors ATOUT FRANCE. There will also be a cider tasting to tempt people to enter their festival competition for a holiday in Brittany. Enter here
ATOUT FRANCE Brittany Competition
Also showing tonight is the second festival film about Algeria. Outside the Law follows the sold-out screening of Of Gods and Men on Saturday with just as much excitement. Rachid Bourchareb's historical drama provoked huge drama at Cannes with protests and denunciations from the establishment for its daring  comparison between the FNL and the French Resistance.

Friday, November 19, 2010

French Film Festival - Upcoming Events & Highlights

The IFI French Film Festival kicked off last night with a sold-out screening of The Names of Love (Le Nom des gens). If you missed it, fret not, we have another screening on Friday 26th with director Michel Leclerc in attendance.


We've barely had time to recover from last night's Gala Reception where we all got to sample our special Festival French wines, and we're onto day two of the Festival, with lots of special events and highlights over the next few days.

Tonight you really don't want to miss Making Plans for Lena (Non ma fille, tu n'iras pas danser) which was written specifically for critically-acclaimed French actress Chiara Mastroianni who excels as a neurotic and flawed woman, flailing after the break-up of her marriage. And for a little word of warning, there are only a few tickets left for this evening's screening of My Afternoons with Margueritte (La Tete en friche) starring Gerard Depardieu, so we'd strongly recommend you book in advance.

My Afternoons with Margueritte

Most of our weekend special events revolve around our guests. Michel Ciment, esteemed French critic, will introduce the first film in our First-Time Directors Strand, Chicks (La Vie en ranch), this evening (Friday) at 19.15. He will also be participating in a Q&A after Michel Ciment: The Art of Sharing Movies (Michel Ciment, le cinema en partage) tomorrow (Saturday) at 14.30, and will introduce Jean-Luc Godard's Moments choisis des histoire(s) du cinema at 16.00 on Saturday. Our second Festival guest arrives on Sunday. John Boorman is the subject of the documemntary John Boorman: A Portrait (Un portrait de John Boorman) and our two guests will come together as Michel Ciment and John Boorman participate in a post-screenng discussion at 18.00 on Sunday.

Restless

On Monday we will have the second of our films in our First-Time Director's Strand. Restless (La Bel age) is a coming-of-age story set at both ends of the spectrum as 17-year-old Claire struggles with choices that will determine her future, while her grandfather is tormented by the choices he has made in the past. This screening will include a complimentary wine and cheese reception courtesy of ATOUT FRANCE and everyone will also be able to paricipate in a free Breton cider tasting.

There are plenty of other screenings and events on the horizon, so check out the full programme to find out what your Festival must-sees are.

Ross Keane
Head of Marketing & Communications