Director Paul Duane on making feature documentary Barbaric Genius, the story of John Healy - wino, chess prodigy, author of a classic memoir, and forgotten man.
Sitting, mildly hungover, on a friend's
couch in Galway on Easter Sunday, 2007, I was stunned to read a small paragraph
in The Observer's literary column,
The Browser. It stated that John Healy, author of The Grass Arena, was to appear at that year's Cúirt Literary
Festival. The column also had some vaguely phrased warnings about Healy's violent
tendencies but that didn't bother me (much). It was just extraordinary to
discover that a writer whose work I loved and who, it seemed, had disappeared
off the face of the earth, was within easy reach.
I contacted Maura Kennedy who was at that
time the Programme Director for Cúirt and she put me in touch with John Healy,
who was still living in his native Kentish Town in London. I remember how
nervous I felt as I phoned him for the first time. I mean, this man had been
characterised as a psychopath, a paranoiac, he'd lived among murderers and
nutcases, and I was a struggling filmmaker who'd just become a father – what
was I inviting into our lives?
John Healy
I found myself dealing with one of the most
extraordinary people I've ever met. I didn't realise at that time that John was
then only just coming out of a terrible depression and that calling him would
be the beginning of a (so far) five-year journey we would take together. The
longer I spent with him, the more remarkable things I found out: he was,
understandably, cagey about my motives at first and worried about going into
some subjects such as his absorption in Buddhist meditation (“I don't want them
to think I'm a lunatic”, he said), his Yoga practice and his rich inner life.
Above all, the irony is that The Observer piece – meant to warn
people away – brought him back into the public eye, and this somehow sums up
the bizarre gallows humour that has characterised John's story.
Paul Duane
Film Director
Barbaric Genius opens EXCLUSIVELY at the IFI on May 25th.
No comments:
Post a Comment