Director Rebecca Daly talks about the
writing process behind The Other Side Of Sleep which opens at the IFI on March
15th.
The
script started with a newspaper article about a young woman’s body that was
found wrapped in a duvet in Northern Ireland. This image of the duvet around a
body and a visual confusion between sleep and death stuck, and this is where
sleepwalking entered the story. Glenn (Montgomery, co-writer) and I were
fascinated by the implications for a character and story of a person who could be active or acted upon but not
conscious (throwing up complications of responsibility) and would have no
memory of what happened once awake again. With the film I was interested in
exploring a fear that can’t be defined or seen; that exists in spaces: like an
empty factory at night or a quiet woodland and in unreliable supporting
characters whose behaviour is contradictory and sometimes suspicious or
strange. It’s about an unknowable potential in these spaces and people.
Glenn
and I plotted the story together and then wrote a treatment. The project was
selected by the Cannes Cineresidence programme in 2008 so I went to Paris for four
months and got stuck into writing. We didn’t often sit down together and write;
more we talked about it and then I would write a draft or he would or we might
take sections and then give feedback to each other.
The script continued to evolve in small
ways right up to shooting as we confirmed locations. We went through many drafts; it was a constant filtration
process. We had so many ideas that we wanted to explore in the beginning that
we kept having to select from or cut down and this continued to be part of the
process throughout the making of the film for me.
Rebecca Daly
Director
Join us on March 15th for the gala preview screening of The Other Side Of Sleep, followed by a Q&A with Rebecca Daly and Director of the Dublin Fringe Festival, RĂ³ise Goan.
The Other Side of Sleep is showing at the IFI as part of a season devoted to Fastnet Films.
Watch the film trailer here:
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